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A light brown violin with a dark fingerboard and tailpiece rests in an open, worn black case with purple velvet lining, a bow beside it.
01 / 29A light brown violin with a dark fingerboard and tailpiece rests in an open, worn black case with purple velvet lining, a bow beside it.
The violin's warm brown body is centered, showing the fingerboard, bridge, tailpiece, and chin rest, with visible finish wear.
02 / 29The violin's warm brown body is centered, showing the fingerboard, bridge, tailpiece, and chin rest, with visible finish wear.
The violin's back, neck, and scroll are visible, showing a warm, flamed maple finish with some light wear.
03 / 29The violin's back, neck, and scroll are visible, showing a warm, flamed maple finish with some light wear.
The violin's glossy, amber-brown flamed maple back is shown, with a small metal chin rest bracket visible at the bottom.
04 / 29The violin's glossy, amber-brown flamed maple back is shown, with a small metal chin rest bracket visible at the bottom.
Close-up of the violin's scroll and pegbox, showing four black pegs, a worn light brown finish, and colorful string windings.
05 / 29Close-up of the violin's scroll and pegbox, showing four black pegs, a worn light brown finish, and colorful string windings.
The violin's glossy, warm brown scroll and pegbox are viewed from above, with four black tuning pegs protruding.
06 / 29The violin's glossy, warm brown scroll and pegbox are viewed from above, with four black tuning pegs protruding.
The violin's body, with a warm brown finish, is angled from the upper left, showing the bridge, tailpiece, and chin rest.
07 / 29The violin's body, with a warm brown finish, is angled from the upper left, showing the bridge, tailpiece, and chin rest.
The violin's warm brown body, with visible wear and finish checking, is angled to show the bridge, f-holes, and tailpiece.
08 / 29The violin's warm brown body, with visible wear and finish checking, is angled to show the bridge, f-holes, and tailpiece.
Close-up of the violin's warm brown body, showing the f-holes, bridge, tailpiece, and fine tuners, with light wear on the finish.
09 / 29Close-up of the violin's warm brown body, showing the f-holes, bridge, tailpiece, and fine tuners, with light wear on the finish.
The violin's warm brown body, with visible wear around the bridge and f-holes, is angled from the upper left.
10 / 29The violin's warm brown body, with visible wear around the bridge and f-holes, is angled from the upper left.
The violin's flamed maple back, with a warm amber finish, shows subtle wear and a small metal tailpiece bracket at the top.
11 / 29The violin's flamed maple back, with a warm amber finish, shows subtle wear and a small metal tailpiece bracket at the top.
The violin's figured maple back, with a warm amber finish, is shown at an angle, revealing a small black endpin.
12 / 29The violin's figured maple back, with a warm amber finish, is shown at an angle, revealing a small black endpin.
The violin's amber-brown back, with a subtle flame maple grain, is angled from the lower left, showing a black tailpiece.
13 / 29The violin's amber-brown back, with a subtle flame maple grain, is angled from the lower left, showing a black tailpiece.
The violin's back, angled from the upper left, shows a rich, amber-brown flamed maple finish with dark binding.
14 / 29The violin's back, angled from the upper left, shows a rich, amber-brown flamed maple finish with dark binding.
A close-up of the violin's interior label, showing "Eduard Reichert Dresden, fecit anno 1910" printed in blue on aged, off-white paper.
15 / 29A close-up of the violin's interior label, showing "Eduard Reichert Dresden, fecit anno 1910" printed in blue on aged, off-white paper.
Close-up of the violin's light brown wooden bridge, showing four strings with colored windings and wear on the instrument's body.
16 / 29Close-up of the violin's light brown wooden bridge, showing four strings with colored windings and wear on the instrument's body.
Close-up of the violin's bridge and tailpiece, showing four strings with colorful windings and two metal fine tuners.
17 / 29Close-up of the violin's bridge and tailpiece, showing four strings with colorful windings and two metal fine tuners.
Close-up of the violin's warm brown, figured wood body, showing the black chin rest clamped by two silver-toned metal posts.
18 / 29Close-up of the violin's warm brown, figured wood body, showing the black chin rest clamped by two silver-toned metal posts.
Close-up of the violin's scroll and pegbox, showing the amber-finished maple with visible wear, black pegs, and strings.
19 / 29Close-up of the violin's scroll and pegbox, showing the amber-finished maple with visible wear, black pegs, and strings.
Close-up of the violin's scroll and pegbox, showing the warm amber finish, flame maple grain, and four black tuning pegs.
20 / 29Close-up of the violin's scroll and pegbox, showing the warm amber finish, flame maple grain, and four black tuning pegs.
Side view of the violin's body, showing the warm brown, flamed maple sides, bridge, and tailpiece with fine tuners.
21 / 29Side view of the violin's body, showing the warm brown, flamed maple sides, bridge, and tailpiece with fine tuners.
Close-up of the violin's glossy brown body, showing the dark fingerboard, light wooden bridge, and four strings.
22 / 29Close-up of the violin's glossy brown body, showing the dark fingerboard, light wooden bridge, and four strings.
Close-up of the violin's neck and lower fingerboard, showing a rich, figured amber wood and four strings over a dark fingerboard.
23 / 29Close-up of the violin's neck and lower fingerboard, showing a rich, figured amber wood and four strings over a dark fingerboard.
Close-up of the violin's neck and upper body, with a digital caliper measuring the string height at 0.98mm.
24 / 29Close-up of the violin's neck and upper body, with a digital caliper measuring the string height at 0.98mm.
A digital caliper measures the violin's body thickness at 0.71 inches, showing the instrument's flamed maple back.
25 / 29A digital caliper measures the violin's body thickness at 0.71 inches, showing the instrument's flamed maple back.
A digital scale displays "0:14.4" in blue on a black screen, with a dark brown violin body partially visible above.
26 / 29A digital scale displays "0:14.4" in blue on a black screen, with a dark brown violin body partially visible above.
The dark brown violin bow is angled diagonally, with a black frog and a light-colored tip.
27 / 29The dark brown violin bow is angled diagonally, with a black frog and a light-colored tip.
The dark brown violin bow tip is angled up, revealing a rough, light brown end with a small rectangular hole.
28 / 29The dark brown violin bow tip is angled up, revealing a rough, light brown end with a small rectangular hole.
Close-up of the dark wood violin bow's frog, showing a mother-of-pearl inlay and a brass-and-ivory checkered adjuster.
29 / 29Close-up of the dark wood violin bow's frog, showing a mother-of-pearl inlay and a brass-and-ivory checkered adjuster.

Eduard Reichert

1910 Eduard Reichert Violin w/OHSC + Bow

$895.00

Available

  • Year1910
  • ConditionGood
  • StoreSherman Oaks
  • CaseOHSC
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Specifications

Instrument

Year
1910
Model
Eduard Reichert Violin
Condition
Good
Made in
Germany
Store
Sherman Oaks

Measurements

Weight
14

Construction

Top
Spruce

Case

Case
OHSC

Description

1910 Eduard Reichert Violin w/OHSC + Bow

The Violin Is In Good Overall Condition (Please See Photos)

Stamped Eduard Reichert, Dresden, fecit anno 1910 (As Shown)

Flamed Maple Sides, Back and Neck 

Body Shows Moderate Playwear Throughout Considering The Instrument's Age (See Photos)

Single Purfling On Front And Back

Heavier Playwear Around Bridge

Added Chin Rest

Ebony Fittings 

Currently Non-Functional Bow (See Photos)

Set Up Is Recommended For Best Playability

Nut Width: .98"

Neck Depth At Nut: .71"

Comes With Original Hard Shell Case And Bow As Shown

Eduard Reichert violins are German-made instruments from the late 19th or early 20th century. They are generally well-crafted and known for their warm tone and traditional styling. Often modeled after classic Italian violins, these instruments were built using quality woods and finished with attractive varnish. Some were handmade by Reichert himself, while others may have been produced in workshops under his name. Today, violins labeled "Eduard Reichert" are considered reliable and solid instruments, commonly used by advancing students and musicians. Their value varies depending on condition and authenticity.

 

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